Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Canaletto
View of the Grand Canal fg

ID: 05621

Canaletto View of the Grand Canal fg
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Canaletto View of the Grand Canal fg


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Warwick Castle: the East Front df | Regata sul Canal Grande (mk21) | View of San Giovanni dei Battuti at Murano d | Piazza San Marco | basino san marco venedig |
Related Artists:
Nicolaus Knupfer
1603-1655 German Nicolaus Knupfer Gallery
Wjatscheslaw Grigorjewitsch Schwarz
1834-1869 Realism,Russian
Giuseppe de nittis
Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,






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